Victor Hugo dared to puncture the "legend," when, in the play of "Le Roi s'Amuse," he represented the "knightly king" as being enticed to a low water-side hovel by the charms of a girl of the street; but even the government of the Citizen King, Louis-Philippe, could not brook such an attack upon the "divinity that doth hedge a king," and, after the first performance in 1832, the strong hand of the censorship was laid upon the play, and fifty years elapsed before it again saw the light upon the stage.

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