PEER GYNT - The Collected Works of Henrik Ibsen Vol. 04 (of 11)

Synopsis

The publication of Brand, in March 1866, brought Ibsen fame (in Scandinavia) and relieved him from the immediate pressure of poverty. Two months later the Storthing voted him a yearly “poet-pension” of £90; and with this sum, as he wrote to the Minister who had been mainly instrumental in furthering his claim, he felt “his future assured,” so that he could henceforth “devote himself without hindrance to his calling.”

This first glimpse of worldly prosperity, no doubt, brought with it the lighter mood which distinguishes Peer Gynt from its predecessor. To call it the gayest of Ibsen’s works is not, perhaps, to say very much. Its satire, indeed, is bitter enough; but it is not the work of an unhappy man. The character of Peer Gynt, and many of his adventures, are conceived with unmistakable gusto. Some passages even bear witness to an exuberance of animal spirits which reminds one of Ben Jonson’s saying with regard to Shakespeare—“aliquando sufflaminandus erat.”

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