The Heir

Synopsis

The author had chosen as his theme the final day in the long struggle of the Cross against the Crescent, when the Moslem tide overflowed at last the grand bulwark of Christendom, and the Emperor John Theophanis fell fighting as a common soldier in the breach. The recital was placed in the mouth of the Emperor, and the description of the night’s vigil, the dawn of the fatal day, the fanatic fury of the assault, the desertion of the Christian cause by its allies, and the last desperate fight, into which Theophanis was to hurl himself, determined to perish, impressed the listener with a curious sense of realism.

He had lived for months and years among the records of these scenes, but he could not have described them with the sure hand of this undergraduate. The tale was plain and unvarnished, the telling crude and bald, but as the fragmentary lines, unassisted by any rhetorical graces in the reciter, reached the hearer, he felt such a thrill as the unadorned narrative of an eyewitness might produce. The young man must be a poet of quite unusual power, and Professor Panagiotis forgot the manuscripts awaiting him at the Library in the determination to cultivate his acquaintance.

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